TomasDroneCon IA

Use the attached image as the exact first frame and the only visual source of truth. Create ONE continuous, photorealistic, premium cinematic shot, 8 seconds long, as if filmed by an invisible cinema camera flying through the real three-dimensional place shown in the photo.

=== 1. HOW TO READ THE DRAWING ===
The image contains a hand-drawn red line that starts at a red circle with the number "1" and ends at an arrowhead. This drawing is NOT part of the scene. It is a hidden production guide that illustrates the camera route described in section 3:
- The "1" marks the start: the exact viewpoint of the photograph.
- The line goes up along the LEFT side of the main subject: the camera flies up past the subject's left side.
- Where the line is interrupted near the top of the subject, the camera passes BEHIND the subject.
- The arrowhead, high on the right, is where the camera finishes: high up, on the far side of the subject.
Remove the drawing completely from the very first frame. The video must look like the clean original photograph: no red line, circle, arrow, number, mark or overlay at any moment. The drawing must never turn into an object, path, rope, light or any other element of the scene.

=== 2. THE MAIN SUBJECT ===
The main subject is the person, group of people, building, monument or object in the center of the image.
The photograph is only a visual reference, not a story: do not interpret what is happening, what the people feel or what they might do next.
Keep the subject exactly as in the photo: same shape, structure, face, identity, proportions, pose, expression, hair, clothing and accessories. The subject stays locked in place for the whole shot; the camera provides all the movement.
If the subject is a person or people, allow only one tiny, slow turn of the head away from the camera's direction of travel during the first second, then hold that position. No other gestures, no walking, no arm or hand movement, no change of expression, no looking at the camera.

=== 3. CAMERA ROUTE (most important) ===
One continuous ASCENDING ORBIT of about 180 degrees around the main subject, in this exact order and direction:
A. START: the exact viewpoint of the photograph, low, in front of the subject.
B. FAST CLIMB ON THE LEFT: the camera immediately flies forward and to the LEFT of the subject while climbing rapidly, passing along the subject's left side.
C. BEHIND, HIGH UP: the camera crosses BEHIND the subject from left to right, at the height of the top of the subject or higher.
D. FINISH ON THE FAR SIDE: the camera ends high above and behind the subject, looking back at it and down over the whole landscape.
Direction check: the camera goes around the LEFT side first. It must not go to the right first, and it must not simply rise straight up while staying in front of the subject.
End check: at the end, the area that was behind the subject in the photo is now in the foreground below the camera, and the ground where the photo was taken is now on the far side of the subject, in the background. The subject is seen from its back side, from above.
Throughout the route the lens stays aimed at the subject, keeping it centered and sharp. The camera physically travels through space along one broad, smooth 3D arc: it is not a zoom, not a straight crane-up and not the camera spinning in place. This creates strong, realistic parallax (nearby elements move fast, distant ones slowly). Keep a moderately wide distance so the environment fills a large part of the frame. No digital zoom, no focal length changes.

=== 4. SPEED AND TIMING: FAST LOW, SLOW HIGH ===
Speed curve: very fast at the beginning, slow and graceful at the end (strong ease-out). No slow start.
[0.0-0.5s] The first frame matches the photo exactly; the camera is already moving fast.
[0.5-3.0s] FAST: rapid climb along the LEFT side of the subject, with strong motion and parallax near the ground.
[3.0-5.0s] Fluid but slowing down: the camera crosses BEHIND the subject near its top.
[5.0-8.0s] SLOW: the camera glides gently, almost floating, high above on the far side, while the full wide panorama of the landscape spreads out around the subject. It ends almost still.

=== 5. IMAGE QUALITY ===
Maximum sharpness and detail in every frame, matching the quality of the original photo: crisp textures, stable fine details, no blur, no softening, no loss of resolution while the camera moves. Keep the original lighting, colors, shadows, weather and time of day throughout. Natural, stable lens with no fisheye or edge stretching.
When new areas become visible behind the subject, build them realistically and consistently with the place in the photo.
Motion must feel expensive and physically real: smooth inertia, no shake, no jitter, no cuts, no sudden jumps.

=== 6. CONSISTENCY ===
The place stays the same place. Nothing is added: no extra people, animals, vehicles, flying objects, buildings or props. No flickering, morphing, melting, duplicated objects or changing textures. The camera itself is never seen and casts no shadow.

=== 7. AUDIO ===
Only soft, natural ambient sound of the place in the photo (wind, nature, sea or distant city). The camera is completely silent: no mechanical, motor, engine or buzzing sounds, no whoosh effects, no music, no voices.

=== PRIORITIES (if anything conflicts) ===
1. Clean first frame, identical to the photo, with no drawing visible.
2. Correct route: up the LEFT side, BEHIND the subject, finishing high on the far side.
3. Speed: fast and low at the start, slow and high at the end.
4. Subject identical to the photo and still.
5. Sharp, high-quality, consistent image.
6. Natural ambient audio only.